该句使用系动词结构表达定义关系。
Once, the Japanese Kabuki master Kanaya was playing the role of a commoner on a long journey. Just as he was about to step onto the stage, a student reminded him, "Master, your straw sandal strap is loose."
However, when he reached the stage entrance where the student could no longer see him, he crouched down and deliberately loosened the strap again.
Clearly, his intention was to use the loose strap to portray the exhaustion of a long-distance traveler. Such meticulous attention to detail truly demonstrated his mastery.
Coincidentally, a reporter witnessed this scene while interviewing backstage. After the performance, the reporter asked Kanaya, "Why didn't you correct your student at that moment? He clearly didn't understand the essence of acting."
Kanaya replied, "One must accept the care and kindness of others with an open heart. There are plenty of opportunities to teach a student acting techniques. In this moment, the most important thing is to accept the reminder with gratitude and offer a return of kindness."
Acting is a reflection of character. When you master the art of being a person, you will master the art of doing things. Kanaya teaches us: never close the door to the kindness that others offer you.
有一次，日本歌舞大师勘弥在表演中饰演一位长途跋涉的百姓。就在他准备登台时，一名门生提醒道：“师傅，您的草鞋带子松了。”
然而，当他走到门生看不见的舞台入口处时，却蹲下身子，特意将刚才系好的鞋带再次弄松。
显然，他是想通过鞋带的松垮来表现角色长途旅行的疲态。这种对表演细节的极致追求，足见这位大师的过人之处。
正巧，当时有一位记者在后台采访时目睹了这一幕。演出结束后，记者问勘弥：“您为什么当时不指教学生呢？他显然没领会表演的真谛。”
勘弥回答说：“他人的关爱与好意应当坦然接受。教导学生的技巧机会有很多，但在当下的场合，最重要的是要心怀感激地接受提醒，并给予回报。”
演戏即是做人。做人做到家，事才能做到家。勘弥告诉我们，千万不要轻易关上别人向你伸出善意的大门。