Qi Baishi was born into poverty; he worked in fields and as a carpenter before making a living as a folk artist. At the age of 57, he moved to Beijing and lived in Fayuan Temple, sustaining himself by selling paintings. His fans were priced at only two silver coins, half the price of most artists, yet they remained unpopular. This reflects how desolate his business was and how difficult his life was at that time.
One day, in a situation where no one paid him any attention, Mei Lanfang struck up a conversation, which helped him regain some dignity. Grateful for this, he meticulously painted "Charcoal in the Snow" as a gift for Mei Lanfang, adding the inscription: "Now that I am wandering in Chang'an, I am fortunate that Mr. Mei knows my name." It is evident that even Mei Lanfang could not change Qi Baishi's status in the art world back then.
It was only after meeting Chen Shiceng that Qi Baishi's artistic career began to transform. Although Chen Shiceng was 13 years younger, he was already famous throughout the country and was a key representative of the reform in literati painting after Wu Changshuo. Chen encouraged Qi Baishi to develop his own unique style and pursue artistic innovation. Consequently, Qi Baishi embarked on his "Late-life Transformation," as he himself put it: "Removing the mediocre style is truly difficult; it took ten years of secluded study to achieve change."
From 1920 to 1929, through his "ten years of seclusion," he made bold breakthroughs and underwent arduous exploration. He eventually "removed the mediocre style" and "transformed" his artistic appearance, establishing his own legacy in art history. However, he still had few confidants in Beijing, much like he said: "Except for Chen Shiceng, there is no one else who truly understands my paintings."